The Pulitzer Prize winning play returns to Philadelphia in a rapturous production, filled with a stellar cast and meaningful story.

Inis Nua presents the American Premiere of the hilarious and heartfelt Madame Ovary, with a truly splendid central performance.

The regional premiere of Bess Wohl's play is given an engaging production that elevates the script, but doesn't quite overcome its problems.

The new translation of No Exit premieres at Quintessence theatre Group in a production that ultimately misses the mark.

Ring in the Halloween season with the campy and often hilarious production of The Mystery of Irma Vep at Bristol Riverside Theatre.

The Arden Theatre's production of the Sondheim/Weidman musical battles against the concept it's given, adding to the show's divisiveness.

Funny and heartfelt, She Was a Conquistawhore is a wonderful embodiment of all that the Philadelphia Fringe Festival is and could be.

Quintessence Theatre Group presents Shaw's Major Barbara with a fantastic cast, but some strange theatrical choices that don't quite land.

Gunnar Montana and Company have achieved macabre dance excellence with their production of Black Wood. It's perfect for Halloween time!

The new American classic, August: Osage County is brought to life with wonderful performances at the Footlighters Theater in Berwyn.

As Philadelphia theatre company Theatre Contra celebrates their 5th year, we caught up about their upcoming fringe production: Dare Night!

The Players Club of Swarthmore puts on the perennial favorite Fiddler on the Roof. A decent production that shows how good the script is.

A review of the show Birth. Sparkle. Death. Part of the Philadelphia Fringe and Cannonball Festivals. By Queer Philly Critic Frank Schierloh

A small theatre company tackles the beloved classic in a production that is uneven with an adaptation that feels rushed.